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People with learning disabilities often experience worse physical and mental health. This film is a starting point to address these inequalities.

Animated short film by Phil Mulloy.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

Documentary about Giger's work for the movie Alien (1979).

Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.

It's the year 20XX, and the latest technologies are protecting the nature of rural towns. The main character, Ruuto, and Michi, are childhood friends. But during the second year of junior high, as Michi moves to an urban area, the two drift apart. Ruuto doesn't want Michi to forget him. Michi doesn't want to show her weak side. The two friends go their separate ways. Mobility services transcend space and time and connect their hearts.

Short animated film about Blanca, who tries to fathom art. When a painting makes her laugh out loud, her father reprimands her: "It is not funny, it is Art", he says. Blanca feels it is quite complicated. So when is something art? How do you have to look at it? And is it allowed to touch art, for example? When she fails to figure it out, she decides to imitate museum visitors. With great consequences.

The tropical rainforests of Mexico and Peru. A unique poetic reality. The eternal dance of life and death as experienced by magical creatures of porcelain - animals, birds, insects and flowers – fragile and resilient at the same time.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Follow the cast and crew of Livescreamers across their five day shoot, and go deep behind the scenes of how the innovative horror film was brought to life.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

The portrait of the last cowboy Hollywood legend dives into the 65 years of an extraordinary career in Hollywood, highlighted iconic films like The Good, the Bad and the Ugly, as well as Million Dollar Baby, Mystic River and Gran Torino all the way to Cry Macho in 2021. It is no small task to cover more than 60 years of cinema history, especially when it is trying to surveyed with such breadth and diversity: TV star, international star, controversial icon, contested director, filmmaker with a capital F, Eastwood has been through it all, experienced it all, and it is first of all this romantic trajectory, this true American pastoral that the documentary wants to tell with all the passion it possibly can.

An educational short film about bullying.

Agent 327 is investigating a clue that leads him to a shady barbershop in Amsterdam. Little does he know that he is being tailed by mercenary Boris Kloris.

'THE QUEST: Everest VR' is a one-of-a-kind "real-life" Virtual Reality documentary to climb and reveal the most legendary mountain on earth, Mt. Everest, in stunning 360 degree video! It is the only real-life Virtual Reality experience that puts you directly in the boots with filmmaker and explorer, Alex Harz, on an epic 52 day quest to the Top of the World (29,032 feet / 8849 meters), and the closest thing to climbing Everest without all the rigorous training, planning and high risk needed to physically step foot on the mountain! 'THE QUEST: Everest VR' can be experienced worldwide in Virtual Reality headsets, and on computers, phones, tablets, etc...

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.

On a tabletop mountain a mahout and his strange herd make a surprising and never-ending journey.

Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens, Astrology, psychic powers, seances and astral projection, amongst others.

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.
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