DESCRIPTION
The couple behind a legendary Vermont towing company reflect on their career and relationship.
FULL CAST
Child marriages have been an unnoticed reality in some sections of the Muslim community in Sri Lanka. This film tells the story of Fatima, a 16-year old school girl, who is set to marry a man far older than her. Not only her right to education is denied but her consent to marriage too. Until she accidentally meets her future husband, she has not even seen him. She is caught up between her hopes and the reality of her destiny.
Things That Go Bump in the Night: Tales of Haunted New England takes you on a journey throughout historic New England collecting tales of the supernatural, the unexplained, and the mysterious — spooky stories of ghosts, spirits, witches... and even a vampire!
With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
Using home videos recorded by her voice coach, Diana takes us through the story of her life.
Every year, hundreds of women develop relationships with prisoners. They fall under the charms of killers, petty criminals, rapists and crooks. Most only share a few letters, but some make it all the way to the altar. It is hard to understand what these women expect from a relationship with a convict with a long prison sentence. This documentary takes a look at their lives and the reasons that make them pursue a relationship with a criminal.
Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until Dawn is a documentary on art in the life of James Gahagan (1927-1999), who painted all night to push the limits of vision. His life and thought reveal a correlation between art and activism through an interesting angle: the creative process itself.
Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.
This short film follows the journey of Rosane Pires and Iara Viana, during the preparations for their wedding, as well as the civil and religious ceremonies.
A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.
Rick Dakotah investigates the "Woods People" of Vermont. "I have spent many years in some forest or another. I feel the best when I am out and about. Nature to me is "Love". I feel as though life is fair and one can get respect by respecting the other creatures of the forest. I stumbled into this research while filming my adventures. The "Woods People" are what I call them...Bigfoot to White Hairy Beings, UFO's, and more..."
Rick Dakotah continues his investigation of the "Woods People." "The woods people are dragging me further into their world. I spend most days out in the forest and mountains tracking the creatures. This is video two of the story. Do I believe in Sasquatch/Bigfoot? Yes I do but I don't really know what they look like. I have had actual visuals but the mind makes it hard to understand and tries to make something it doesn't understand...understandable."
Marriage and sexuality is examined through the lens of screenwriter Dr. van de Velde, a Dutch gynocologist.
Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
Following a year in Cadance and Amanda's gender transition, this intimate documentary charts not only their personal transformation but the building of a life and community together in regional New South Wales.
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