DESCRIPTION
A minimalist portrait of ultimate love.
Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.
Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.
When a circus trio have a particularly disastrous show, Mandy the Acrobat must decide whether to run away from the circus, or to stay and help her friends.
A short film about an elephant and his trainer.
Through a magical coincidence, the ambitious career woman Rebecca and the lively musical actress Maja switch bodies and have to find their way in each other's lives. What begins as a strange dilemma soon teaches them important life lessons.
A wedding videographer and his apprentice answer a mysterious invite to shoot a wedding in a secluded, ramshackle barn. When they arrive, they find they are not shooting a wedding at all, and are the last thing standing between the world and a demonic apocalypse.
Gabby is a young wannabe mechanic, who has just moved into a new neighborhood in the suburbs of Maryland. On Halloween Night, she encounters a slew of trick-or-treaters who tell her of a local legend called the Goatman. Soon after, a masked intruder who bears an eerie resemblance to the mythical Goatman breaks into her home. A violent game of cat and mouse ensues, pushing Gabby to her mental and physical limits.
Qingyan Yu confronts confusion and self-identity problems as she gets to the point where romance starts to take place in her adolescence.
Film in hand. Carnival in the global village.
A story of disillusionment on the threshold of adolescence. A story seemingly simple, and yet, for Martina, the heroine of the story, a turning point. Martina is in her last year of primary school. She is experiencing her first love, preparing for talent interviews and, together with her classmates, for a farewell party. The money collected for the party is with her until someone steals it. More than the loss, however, Martina is hurt by the knowledge that those she trusted most, even her great love, are able to suspect her as a thief...
Two roommates find themselves becoming more and more similar in an unsettling way.
Two rookies have one last chance to prove themselves to the "Suits" gang. All they have to do is ditch a body in enemy territory without being caught. If the rival "Scars" don't kill them, their boss sure will.
The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.
The year is 1949 and the inspector Bleak Prospekt investigates the mysterious murder of Katherine Orwell. He must navigate the treacherous mazes of truths and lies, so he can serve justice to the horrible murderer.
Detective Decade Lieutenant and his partner, Officer Hughie Crusade IV, race against the clock to unravel the mysterious and unorthodox antics of The Maid-to-Kill, a methodical serial killer with a strange obsession with… cleaning.
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