DESCRIPTION
Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
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Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
For the first time one of Hollywood's greatest stars tells his own story, in his own words. From a childhood of poverty to global fame, Cary Grant, the ultimate self-made star, explores his own screen image and what it took to create it.
On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.
A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.
Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.
For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Covering China's powerful leader, his signature foreign policy, U.S.-China trade and technology wars, how Chinese technology helps stifle dissent, and more. A collaboration with the Pulitzer Center on Crisis Reporting, PBS NewsHour conducted more than 70 on-camera interviews in eight Chinese cities and across eight countries.
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Takashi Miike is a cinema monster. Let's return to his filmography, his main themes, the framework of his monumental universe.
Everyone thinks that Bob Kane created Batman, but that’s not the whole truth. One author makes it his crusade to make it known that Bill Finger, a struggling writer, actually helped invent the iconic superhero, from concept to costume to the very character we all know and love. Bruce Wayne may be Batman’s secret identity, but his creator was always a true mystery.
In a remote part of New Zealand, lies a cold, dark and mysterious cave system with the potential to be the deepest dived cave in the world. It’s here that explorer and hero of the Thai cave rescue Richard “Harry” Harris is searching for a sense of self. There’s no question that this is the highest stakes dive he has ever attempted. Underground, underwater, with a finite amount of gas to breathe, it’s a dangerous game to play. So what drives Harry to continue in his pursuit when he knows the cost - not just to himself, but to those he loves - and will he make it back to them?
Bryan Charles Kimes has a lot to say, but the power of language escapes him. Lost in a public-school system that does not suit his needs, his parents fight to help him find his voice.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
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