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Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.
Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.
Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.
Experimental educational film reveals the emergence of some ideas of Biophysics in historical, philosophical and methodological aspects. The first film from the Biophysics Cycle (1982-1989).
A group of friends come up with the brilliant idea of testing the non-existent drink known as "Tea Coffee".
A young woman's life takes a series of unexpected turns after she leaves the Buddhist temple where she has lived most of her adult life.
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.
The expedition for the Kiamichi beast up into the mountains was a tedious journey. For over 200 years the Kiamichi beast has roamed Arkansas, the Indians say he would raid the camp and steal the children. Now adays the locals are afraid to enter the woods at night. The howl’s coming from the woods are enough to make even a big man shake
Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
An embodied rumination of both male and female power, healing and haunting, all within an apocalyptic world. A transformation that courses through unknown terror to untamed collective joy.
From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and "legal crimes".
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